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| 1.
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Evolution of Different Taals in Indian Music by Prithwiraj Bhattacharjee
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| 2.
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Evolution of the Language of Tabla by Prithwiraj Bhattacharjee
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| 3.
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Involvement of Tabla in Different Genres of Indian Music by Prithwiraj Bhattacharjee
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| 4.
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Learn to play the Harmonium with Daniel Tucker by Haresh Bakshi
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| 5.
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Beginner Ragas by Pritam Bhattacharjee
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| 6.
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Neelkauns, A New Raga – An Inner Calling by Pritam Bhattacharjee
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| 7.
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Pandit Bhimsen Joshi - A Tribute by Vibhaker Baxi
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| 8.
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LINK: Intro to exotichub by Haresh Bakshi
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| 9.
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The lowest note ever recorded by Haresh Bakshi
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| 10.
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Notes on Pentatonic Raagas by Shankar Anant
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| 11.
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Portal of Digital Indian Music - iMusti.com by Haresh Bakshi
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| 12.
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Dr Praful Kelkar's demonstration of Shruti-s on Sarod by Haresh Bakshi
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| 13.
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Kailas-baani Todi by Haresh Bakshi
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| 14.
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Sarod maestro Ustad Ali Akbar Khan passes away by Haresh Bakshi
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| 15.
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A new raga?: Niranjan Kalyan by Haresh Bakshi
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| 16.
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Music, Tradition and the Internet - Part V - A student's perspective by Shankar Anant
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| 17.
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Review of the book: 22 SHRUTIS and Melodium by Haresh Bakshi
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| 18.
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The Music and the Muse - An Identity for Kumar Gandharva by Prateeksha Sharma
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| 19.
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Characteristics of Kalyan Ang Raga-s having both the madhyam-s by Dhara R. Bakshi
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| 20.
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Gharana - 2: Kirana Gharana by Dhara R. Bakshi
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| 21.
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Review: Meragana, an online Hindi karaoke music site by Haresh Bakshi
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| 22.
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Music and The ICC World Cup 2007 by Haresh Bakshi
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| 23.
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A note on Podio India by Haresh Bakshi
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| 24.
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Upcoming review: Hindi karaoke music site by Haresh Bakshi
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| 25.
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Gharana: Gwalior Gharana by Dhara Ruchir Bakshi
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| 26.
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A Vocalist is Born by Zekria Rahin
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| 27.
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Review: FlexiMusic Generator by Haresh Bakshi
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| 28.
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Review: FlexiMusic Composer by Haresh Bakshi
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| 29.
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Review: FlexiMusic by Haresh Bakshi
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| 30.
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Review: RiyazStudio by Haresh Bakshi
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| 31.
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Legendary Singer Mukesh by Dr. NSD Raju
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| 32.
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Very useful accompaniment software for Indian music by Haresh Bakshi
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| 33.
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Some basic harmonic facts -- a summary by Yahya Abdal-Aziz
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| 34.
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Gharana - An Introduction - 1 by Dhara Ruchir Bakshi
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| 35.
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Music, tradition and the Internet -- Part IV by Haresh Bakshi
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| 36.
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Music, tradition and the Internet -- Part III by Haresh Bakshi
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| 37.
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Music, tradition and the Internet -- Part II by Haresh Bakshi
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| 38.
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Music, tradition and the Internet -- Part I by Haresh Bakshi
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| 39.
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When India Conquered Greece:Hindi Films of the 50s in Greece by Dr. Helen Abadzi
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| 40.
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Raga Vijog by Haresh Bakshi
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| 41.
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Raga Hindol by Shubhada Moghe
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| 42.
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How to secure your PC by Rishabh Bakshi
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| 43.
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Chatarang by Shubhada Moghe
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| 44.
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Ragalakshan by Shubhada Moghe
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| 45.
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Love Music, Learn Music – 2 by Haresh Bakshi
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| 46.
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Flamenco from Andalusia - An introduction by Simon Zolan
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| 47.
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A short analysis of RAGAS and FLAMENCO by Simon Zolan
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| 48.
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Ravikiran’s concept of Melharmony by Vikas Mouli
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| 49.
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Harmonic Entropy by Paul Erlich
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| 50.
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Kattais and shruthis by Dr. P Venkatraman
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| 51.
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WAAH!: The ecstatic exclamation of appreciation by Haresh Bakshi
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| 52.
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Compositions of Haresh Bakshi by Haresh Bakshi
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| 53.
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Love Music, Learn Music – 1 by Haresh Bakshi
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| 54.
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Gwalior Gharana: My lineage by Haresh Bakshi
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| 55.
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Renaming the raga PAHADI as PARVATI by Haresh Bakshi
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| 56.
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Jitendra ji's magnificent Madhuvanti on Samvadini by Haresh Bakshi
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| 57.
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Sawaal-Jawaab, Concerto grosso, Syncopation etc. by Haresh Bakshi
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| 58.
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Terms: Jugalbandhi by Haresh Bakshi
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| 59.
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Review of CD: TABLA Vol. 1 by Haresh Bakshi
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| 60.
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Review of Antara Multimedia Guide to Indian Music by Haresh Bakshi
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| 61.
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Thevaram: Purifies the soul; pleases the ear by T R Ramachandran
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| 62.
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Derivation of the frequencies of the 12 notes by Haresh Bakshi
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| 63.
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Chatura Pandit: V N Bhatkhande by Ramesh Gangolli
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| 64.
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The twenty-two Shruti-s of Indian Music by Haresh Bakshi
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| 65.
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Chromatic (12-note) Scale: Indian vs. Western by Haresh Bakshi
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| 66.
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Twelve notes of Indian Music by Haresh Bakshi
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| 67.
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ThaaT-Mela Equivalence by Haresh Bakshi
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| 68.
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Table of the sixteen note names in Karnatic music by Haresh Bakshi
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| 69.
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The table of the seven notes and their names by Haresh Bakshi
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| 70.
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Review of book by Dr. K Vardarangan by Principal Vasanthamadhavi
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| 71.
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"Srutis and Srutibheda" by Dr. K. Varadarangan by Haresh Bakshi
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| 72.
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Karnatic Music by Haresh Bakshi
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| 73.
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Raaga Charukeshi by Shubhada Moghe
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| 74.
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Terms: Sargam by Haresh Bakshi
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| 75.
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Terms: Notation - Notation Systems in Indian music by Haresh Bakshi
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| 76.
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2-, 3-, and 4-note Scales and Raga-s by Haresh Bakshi
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| 77.
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How to practice with the Voice Lesson CD by Haresh Bakshi
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| 78.
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Terms: Raaga - Creation and Characteristics 1 by Haresh Bakshi
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| 79.
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Announcing the new raga Nileshwari by Haresh Bakshi
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| 80.
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Announcing ICMACMS by Haresh Bakshi
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| 81.
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Chamber Music - The spirit of collaboration by Haresh Bakshi
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| 82.
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Terms: Anga by Haresh Bakshi
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| 83.
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Samvadini Samrat Pt. Manohar Chimote by Capt. Sanjay Gahlot
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| 84.
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Vivadi swara-s by Haresh Bakshi
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| 85.
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Announcement: Smt. Alkaji's Atlanta concert by Narayan Sardesai
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| 86.
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Pt Manikbua Thakurdas:A Legendary Musician No More by Shubhada Moghe
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| 87.
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How Do We Identify A Raag When We Hear It by Tarun Talwar
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| 88.
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Raga Pahadi:Majestic Maharani of Mountain Melodies by Haresh Bakshi
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| 89.
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Name for certain kind of notes occuring in a raaga by Haresh Bakshi
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| 90.
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The Alluring Music of Madan Mohan by Ravindra Bivalkar
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| 91.
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Immortal Musical Phrases Part I by Haresh Bakshi
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| 92.
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The GAT: Raaga Yaman and Yaman Kalyan by Haresh Bakshi
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| 93.
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A note on Devaki Pandit and her Music by Hemlata Marathe
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| 94.
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A Note on Raga Kedar by Haresh Bakshi
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| 95.
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Shruti Lattice Diagram & Shruti Ratios by Courtesy: Paul Erlich
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| 96.
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Notes on Ragas and Tanpura Tuning by Haresh Bakshi
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| 97.
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Indian Music For Newcomers by Haresh Bakshi
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| 98.
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Terms: Pakad by Haresh Bakshi
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| 99.
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Indian Notation Systems by Haresh Bakshi
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| 100.
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Genres in Indian Music by Haresh Bakshi
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| 101.
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Shruti by Haresh Bakshi
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| 102.
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Music in Indian Movies by Haresh Bakshi
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